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‘Pills ‘n’ Thrills and Bellyaches’ Album by Happy Mondays Released 27 November 1990 Madchester / Alternative Rock Label – Factory Rating – 7.5 Outside of The Stone Roses’ debut album, no record embodies the Madchester scene quite like Happy Mondays’ ‘Pills ‘n’ Thrills and Bellyaches’. Coming into their own in 1990, in the heart of the craze, the Shaun Ryder-led group were gaining hype while fusing psychedelic rock with their own alternative brand of dance music, only natural, as the Mondays were the latest progeny of Manchester’s musical head-hunter Tony Wilson. Laden with hedonism, and freaky hyperbole, I’m not sure if ‘Pills ‘n’ Thrills and Bellyaches’ is necessarily one of the greatest examples of an album that lives up to its title, or if I’m just too aware of the druggy raves that went down around the height of the Happy Mondays’ popularity.
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I have to assume it’s the former, as the Mondays manifesto was primarily comprised of their trademark ‘far-out’ haziness, hamming up their already-established ‘pills + pills = good times’ reputation. I don’t think I’ve ever identified with the vibe that the Happy Mondays tend to give off, but that doesn’t cloud my judgment – I’m aware of just how genuine their overall demeanour was, and they weren’t just trying to prove their cool by making music about taboo subjects, or cooking up a bad boy image of some sort. Sure, you could accuse them of glamorising a forcefully stupid lifestyle, but the end result of their devilish ways was some pretty well known pop music, pop music that has aged a lot better than one might expect – some of the biggest grunge albums don’t resonate too well almost three decades later, but the Happy Mondays’ top contribution to the baggy scene surprisingly does. The main singles from ‘Pills ‘n’ Thrills’ are full of madness and mayhem, from the wild guitars to the thumping rhythms, to the lyrics which may as well just be rows of question marks, they’re that mental. ‘Kinky Afro’ is one of the most recognisable songs from the record, and it kicks things off quite impressively, firstly with an acoustic guitar mashing it out with a string section, before gliding into a flurry of abstract lyrics (“I had to crucify somebody today”), constantly hammered by Shaun Ryder’s cloudy vocals. If ‘Kinky Afro’ isn’t the most memorable cut here, it’s because ‘Step On’ is, with its iconic piano intro, its iconic “twisting my melon maaan” spoken word vocal, its iconic dance percussion, its iconic ‘Come Together’-esque verses, and its iconic “change your desire” hook – if you hadn’t noticed, it’s a particularly iconic tune, the perfect song for Bez to dance to. I do think some of the lyrics on ‘Pills ‘n’ Thrills’ are just so stupid that I can’t help but laugh with them, rather than at them, and they never fully manage to turn me off, except maybe for on ‘Holiday’, which is occasionally comprised of Shaun Ryder wheezing out single syllables, one at a time, like “take a seaaaat feeeet”.